‘Identity’ opening scene analysis
The film opens on a black screen as you hear a recorded voice of Malcolm Rivers. This cuts to close up shots of what obviously is evidence for a multiple murder case. This has shots that cut quickly from one to another, all of close ups of the psychiatrist, Dr Malick. The audience are not aware of the names of the characters at this point making both the recorded voice and the psychiatrist a mystery. This creates ambiguity which is typical of the thriller genre. The close up shots of Malick also prevents us from seeing his full figure adding to the ambiguity.
The sounds in the opening scene are of mainly dialogue of the recorded voice and the un-nerving sound of a storm raging outside, however there is quiet background music which adds to the sinister tone of who we assume is the murders voice playing on the tape machine. This adds to the already confusing situation and enhances the atmosphere. The recorded voice sounds almost childish which juxtaposes with the murderous image the evidence portrays as well as the repetitive and angry tone in the recorded voice.
The Mise-en-scene in this scene contains of just piles of evidence, notes and tapes surrounding Malick on his desk. None of these things are shown in shot for long before cutting to another shot. This obscures the viewer’s knowledge of the situation creating the sense of unknown. Some of the Mise-en-scene is only shown when flashes of lightning light up the room Malick is in building tension within the scenario. The colours in the scene are limited to light, and dark. These colours contrast and this, in my opinion symbolises good and evil. There is a strong Key light from the evidence its self which is the only light in the room. This light’s Malicks face slightly suggesting that there is much more to be discovered and brought ‘into the light’.