Monday, 29 November 2010

Cinema City.

In the school holidays the cinemas make most of their money. This is when the big Hollywood blockbusters are released, but for cinema city however Cinema City gets their biggest audiences when they hold live events and premier showings. The live events are unique to independant cinemas and this is where they sell most tickets.

Television was the first main technological advance that hit the cinemas badly in the 1950's onwards and then soon after, VCR's were introduced so films could be sold to the public.  DVD's came later in 2000.  These forms of film distribution reduce cinema audiences. 

Cinemas have attempted to increase their audience numbers mainly by introducing 3D screenings. Independant cinemas for example Cinema City have introduced screenings for specific desires, for example screenings where you are allowed to take toddlers or showings where popcorn isn't allowed.  This is in an attempt to adhear to the desires of target audiences to attract more people.

As Cinema progressed...
In 1945 the top 20 films accounted for 25% of the market. In 2000 the top 20 films accounted for 50% of the market. 
US films took a 20% share of the market in early 1970's. In 1998 US films took a 63.3% share of the market.
From this we can attain that the film market is being taken over by U.S film producers which is impacting and damaging film industry in most, if ont all other countries.
Here are some statistics on average spending of hoseholds in the UK
Exhibition related leisure pursuits now = 14% of household spend.
Home - based ancillary (TV/video etc.) markets = 43% of household spend.

From this we can tell that Films are most likely viewed mostly at home as opposed to at the cinema.
A cinema such as Cinema City used to get around 80% income from subsidies and 20% from ticket sales. How has this changed? Compare this to Vue/Odeon. How are cinemas funding new revenue streams?
For cinema city the government now only give about 20% of the income, the rest they make through their services and ticket sales. Independant companies struggle more with the lack of subsidies than multiplex cinemas. This is because the multiplexes are funded by rich american companies because they have control over a huge majority of film production and distribution. Multiplex cinemas may gain filming elsewhere however, Vue has funding from the Royal Bank of Scotland.
  Cinema City underwent a significant refurbishment programme in and reopened in 2007. Why would Cinema City be unable to carry out these refurbishments if it was trying to do so today?
Their would not be sufficient funding to carry out such refurbishments now, mostly because of the governments reduce in subsidies that they gave the British Film industry.  Also television technology wasn't quite as good, HD for example.  Because of this ticket sales would have been higher and more profit would have been made.

Why did Cinema City install a 3D projector in 2010?
They need the revenue that it would provide from a mainstream audience and to keep up with technologies in both other cinemas and at home.  
What is a 'sleeper' film? How is Cinema City better positioned to adjust schedules for 'sleepers'?
Sleeper films are films that start slowly and are not immediately popular.  They eventually increase greatly in popularity and without a flexible shedule, mainstream cinemas may miss out on this rise in popularity due to more fixed screening regimes.  Cinema city has an advantage on the multiplex cinemas here as it can accomadate personally to the consumers desires.

Why wouldn't Cinema City show 'The Expendables' but they would show a Tarantino film?
Cinema city has a more disearning audience that have different tastes and they would wish to gain something different when they watch a film to a general multiplex film consumer.


Who do Cinema City show Sex and the City/Mamma Mia? 
This targets another specific audience that cinema city needs for the revenue despite its mainstream appeal. The actors in the films attract a female audience that ranges around 40 years old which is also similar to the general audience at cinema city and so there are links that may make this film enjoyable for regular cinema city film go-ers.


Cinema city provides clubs for specific types of audiences for example 'kids club' which provides for a very specific audience
What does Cinema City use its screens for other than showing films?
They use their screens for live events (music etc), film maker Q&A's, film premiers, productions transmitted from the Royal Opera house for example, broadcasted satellite events and various stand up performances.

Cinema city generally has an audience of people of both sexes age 40+because they screen and re-screen old films in different ways and the cinema screens have compfy seats and a more relaxed and mature atmosphere to multiplex's.  The films are also in general, more interlectually challenging and possibly contravirtal.

Sunday, 28 November 2010

My Thriller Treatment


 

The first shot is a wide long shot of car traffic of which we intend to get about half an hours footage which we would then speed it up so you see the progression from day to night. The next couple of shots would be long shots to mid shots of some dark, urban areas around the city. We would then cut to a long shot going up a ramp of a multi-story car park which looks out on the sky. Our main character is situated on the top of the multi-story car park being beaten up by a gang which revolves around drugs. He owes this gang money because they had given him some drugs but he never actually payed them back, so they came looking for him. The next shot would be extreme close ups of the man who has just been beaten up. The victim owes money to the gang. After the gang leave there would be a birds eye view of the man leaning against the wall and on the other side of the wall there would be the night time city traffic. This shot would be good because it makes us feel that the man is separate from everyone else and that he is exposed to the night and that he is vulnerable and alone
You would hear the background music which would consist of atmospheric piano, this sets the scene because it creates an atmosphere which cannot be made by any other instrument. It relays a sense of mystery. There would be a conversation between the leader of the people that beat up the man and the man himself, they would be talking about what the man has to do in order to pay off the debt he owes them. Whilst they were talking there would only be extreme close ups of the mens faces in order to keep a sense of mystery and darkness. After-wards the gang would leave and then the only thing you would hear would be the man crying.  I will aim to use conventions of thrillers such as a spiral staircase i will use in one of the car parks.  Also chiaroscuro lighting and key lighting as the film is set in the evening, this will be essenitial in the creation of the atmosphere. This concept i have learnt about from 'The Third Man' which uses extreme lighting techniques throughout.  According to some research i have carried out, people of the target demographic I am aiming my film at prefer action films to thrillers and therefore in order to appeal more to my target daomgraphic I will aim to make my thriller relate more towards the sub-genre of Action Thrillers.



Thursday, 25 November 2010

Thriller Location Shots

                                    1.
We thought using a spiral staircase in  the thriller was a good idea because it is one of the most used conventions.
2.
We decided to try and use this shot in this location because it shows the divide between the character and the rest of the city.

3.
This one is the same as above but just at a slightly different angle.

4.
We want to use this shot because it is something different. Because we aren't seeing the person normally, we are seeing their reflection walking and how the windows are positioned help give it an extra effect.

5.
This is the spiral staircase but from a different angle, this angle i think works better because you are able to see more and you're able to see further down.

6.
We want to use this shot in the film because you get a close up of the character but he is looking over a lot of the city, in my opinion i think this is a good shot.

7.
We're going to use this shot because the blind type window gives a very good effect whilst you're watching the person walk down the bridge.

8.
This is where most of the filming will be done. This is an underground carpark and during the night, it gets really dark and the lighting in there is bright on one side and very dark on the other.

9.
This is the car park from a different angle, this angle shows where the light would seperate from the dark during the night.

10.
This shot shows most of the car park, the lighting in here is perfect for a thriller.

Tuesday, 23 November 2010

My Thriller Character

My thriller character will be a scruffy male figure.  He will have a rough stubble and a dark jacket.  He will look unkept and untidy.  However, he has family which he cares for.  He is struggling with a drug adiction which is making him associated with bad people but he has good intentions.  He does not have a car or much money, he has a job which he does in shifts and works irregular hours in a factory and doing repairs on boats.  He is struggling to support his family with the addiction he is fighting.

Thursday, 18 November 2010

Thriller opening film timings

Film
Average shot length in seconds
Number of different shots
Titles
Taxi Driver
dir. Martin Scorsese
1976
4-20
9
Blood red on a black
background.
Nikita
dir. Luc Besson
1990
5
20
Blood red on a black background
Leon
dir. Luc Besson
1994
2-14
28
White on a black background.
Momento
dir. Christopher Nolan
2000
1-2
17
Blue against one long opening shot.
London To Brighton
dir. Paul Andrew Williams    2006
2-3
31
White on a black background.
Red Road dir. Andrea Arnold 2006
1-10
32
Blue and white on a black background
 
From this It appears that generally thriller openings have a large number of shots that change every few seconds and also a large number of shots.  The opening titles all have greatly contrasting colours to show the title.  Depending on the the degree of violence or sinicism I may choose to use red titles for my thriller opening.  I shall try and replecate a similar number of shots within my thriller opening.

Warp Films and Working Title Films

Warp Films

This company aims on bringing realism to its audience without the mainstream novelty that is used within Working title films for example.  This is what they said "we don't want to have a carbon copy, hollywoodbig blockbuster film".  This company does not simply aim to entertain but enlighten the audience to good film.  Warp Films aim to be original "an artist-led company".  They have also stated that they aim to be "cutting edge, innovative, interesting, independant".


Warp Films was set up in 1999 as a branch from Warp Records which began just over ten years before hand.  Warp Films have had funding from NESTA and they currently have a low budget maxing out at about £1,000,000.  Warp Films has only 14 employees and because of the small scale, less expensive film genres are made more, i.e comedies, social realist or horrors.  The films therefore generally have higher age group certifications. 

Working Title Films

Working Title Films was set up in 1983.  The maximum budget for the films they make is £25,000,000.  They have had funding from the Lottery and in 1999 they had funding from Universal studios (a reported 600 million dollars) and within this deal they could make films with a budget of up to 35 million dollars without permission from Universal.

Tuesday, 9 November 2010

Shooting techniques

How (I've learnt) to shoot walking in film...

The main techniques that we have studies in class have been focusing on the characters feet with an extreme close while they walk. Also, a wide variety of shots tend to be used to make the movement more interesting to the audience.  Multiple takes are often used for this.  Often in film, long shots are used of the character walking directly towards the camera. This creates a strong impression and creates distance and the desired speed and atmosphere.  The cameras movement will often match the characters walking speed and often the walking speed will also be in sync with the music.  Action match is often used while a character is walking for a sense of continuity.  Shot/Reverse shot is used if the audience is supposed to be seeing the character walkings perspective and over the shoulder shots help this too.

How (I've learnt) to shoot a conversation...

A conversation usually uses a single mastershot (this tends to be a two, three or wide shot) of both/all of the people in the conversation as the conversation takes place while switching to various cutaways but most often, over the shoulder shots that are usually close ups.  of the faces of the characters.  These usually swap to show the person speaking in turn but sometimes a noddy shot is used to show a key emotion or opinion if needed.  To prevent disorientation of the audience, when a conversation is shot the cameras usually stay on one side of where the conversation takes place.  This is called the 180 degree rule.  This makes the situation easier to understand when shots change.  Eyeline match means that the shots of each character, whether taller or shorter are shot in a way as to make their eyes seem level with eachother whilst they talk.  This may have either character looking down or up but their faces are both shown the same on the shots.

Sunday, 7 November 2010

How does Hitchcock use binary opposites to create suspense in the 1960’s Thriller, Psycho?

Hitchcock uses binary opposites throughout the film Psycho.  Binary opposites, in this context, are things that are opposites and also have other connotations.  In some cases, they are used to represent morals such as right and wrong.  Another example is wealth and poverty.  They are also used to emphasise points or situations.  Hitchcock uses them extensively and effectively in the film Psycho to create suspense.

Immediately in the opening we see a wide open long shot panorama of Phoenix, Arizona.  The shot eventually cranes in towards an open window where the camera enters a dark room.  This in its self presents an opposition from the outside world and the public as opposed to the secretive darkness that fills the apartment.  Inside the apartment there is a couple who are having an affair.  This is yet another binary opposite of morality against love.  Also, the couple discuss their relationship.  This creates an opposition between the respectability of a relationship in marriage and family against the affair that they are having.  This in turn creates suspense as Marion is struggling between right and wrong.  She is not happy about her situation but does not know how to get out of it.

When Marion is at work at her office there is a distinct opposite between the wealth of the outgoing customer and the much lesser wealth of the workers, Marion and the other staff member.  In the same scene there is another opposite of the intellects and desires between Marion and the other office worker who seems simple and content with her life whereas Marion is not because of her affair and struggling relationship.  This opposite emphasises how Marion is not content with how her life is.  She does not want to spend the rest of her life with little money, an unhappy relationship and the guilt caused by her affair.

Another binary opposite used by Hitchcock is white versus black.  In the initial apartment scene we see that Marion is wearing a white bra.  White is a colour that represents goodness and purity and this encourages the audience to see Marion as an essentially ‘good’ person.  This changes later on, after the office scene where she is faced with a moral dilemma.  Should she put the money in the bank or just keep it for herself? Having been given money, £40,000, to put in the bank, she takes it home instead.  There is then a scene where she changes her clothes and moves the money into her bag which she takes with her as she sets off to make her escape.  When she is shown changing, she wears a black bra which signifies how she has changed and how she is now a criminal who has lost her morals, respect and goodness as a woman.  This builds suspense as she leaves the city, as does the hurried manner in which she changes at her place.

Marion leaves the busyness of the city and heads for isolation.  This opposite represents the transfer from good to evil that she has made.  The isolation connotes that she has done wrong and that people in the city she lived and worked with were good.  This also suggests that Norman, the man who runs the motel where she stops off, is also on the wrong side of life and may be evil.  The character of Norman Bates is also representative of the binary opposite that is connoted by the stuffed birds of prey.  This is the concept of predator and prey.  Marion, although this does not appear so to begin with, is prey to Norman being the predator.  This is also true on another level within Normans mind.  His split personality suggests that his personality is prey to his Mothers personality.  Most of the time he appears to be a nice person, but the darker side of his personality is perhaps caused by his mother.  This creates further suspense because we fear for Marion, now that she is in the company of Norman.

In conclusion, all of the binary opposites that Hitchcock uses move from safety, security and goodness to opposites which imply danger and vulnerability, for example when Marion leaves her family and job for isolation and a less certain future. The police man emphasises the increasing vulnerability Marion faces as he follows her when she leaves the city.  This builds an atmosphere of suspense which makes the intense murder scene sinister and gruesome.

Tuesday, 2 November 2010

cosmetics ad powerpoint

Cosmetics Advert

Who is your target audience?

The target audience tor my Aftershave advert would be people of middle or lower middle class males (B, C1) of an age group between 25 – 35 years old.  These people would value smart appearance, success, nice cars, a successful business and an exciting and dynamic set of interests. 
The advert shows a defined man in a suit who is standing in a Paris street which connotes class, success and wealth.  The man in the ad is young, this would be idealistic of people towards the slightly older end of the demographic but similar to the younger end of the demographic as to not make the concept un-fitting to the demographic but optimistic to aging.  The bottle its self relates to a more simple depiction of what the aftershave its self will give you.  A sleek, professional image which appeals more towards the middle class but however many lower middle class people would want to copy the image in an attempt to improve their own image.  The masculinity in this image comes from the person in the ad.  The Aftershave bottle being black suggests class and simple brilliance.  The background location also creates a sense of class and a level of success is associated with the product because of this.  A male who saw this ad would aspire to be like the image portrayed by the character.  This is what would ‘sell’ the product.

How did the technologies help in the process of constructing the advert? And how comfortable you are to the technologies…

The technologies I used were essential to what I was aiming to create because I could not create the scenario in the advertisement without the Photoshop I used (Adobe Premier Elements 8) I am not too comfortable with using this software and this shows clearly on my advertisement.  I used a digital camera to take the photo of the man in the advertisement.  Having taken the photo I needed I was then able to put it onto my computer and start photo shopping.  I used the Photoshop to put a completely fake background behind the man in the original image, the background I had simply copied off Google images. I was also able to use the clone stamp tool to remove any writing which was originally on the aftershave bottle.  Finally I used ‘Dafont.com’ to get a title for my advertisement which I copied and pasted onto my advertisement and put new text on the aftershave bottle it’s self.  I believe I could have done the photo shopping better provided I had known how to use the software more effectively. 

How does your advert represent particular social groups?

My advertisement represents a social group of a successful male roll.  The advertisement portrays males as professional and youthful and this is not exactly who it is aimed at because it is aimed at people who would aspire to be like that as well.  This advert suggests that whoever buys this product will be made higher in society because of it and will gain masculinity.  I believe it could have represented this social group better because in this advertisement there are no sexual connotations which would create more desire for the product and therefore this advert may not appeal to everyone in the demographic.

Saturday, 16 October 2010



This trailer builds up a situation immediately showing characters, what the film is about and many significant shots.  Dramatic music and dialogue builds up the footage and the tension within the trailer.  This creates a level of understanding of that we know what is to unfold to a certain extent if we see the film.  This means the trailer has to be very intregueing and exciting in order to persuade people to the Cinema.  In my opinion this trailer appears to give too much away, but I have not seen the film and so therefore i cannot judge accurately.


This trailer persuades the viewer by creating a scenario where very little is given away other than that someone is trapped underground.  The intensity of the situation reflects the type of film and the urgency of the situaion.  This makes the viewer obviosly, curious as they want to know more about the situation.  I like the fact that visually little is given away and the fact that the sound tells us nearly everything in the trailer.  This creates suspense brilliantly.

Monday, 11 October 2010

Local Cinema survey

I sent a survey out to 20 of my friends on my Facebook account (20 being the maximum amount of people allowed for me to send my message to).  My target for my surveys was at the ages 16-17. 

This was the survey i sent.

1. How often do you go to the cinema?
2. Which is your favourite cinema and why?
3. How do you hear about films?
4. Whats the last film you've seen?
5. What is your favourite genre of film?
6. How and where do you prefer to watch films?
7. Is there a british film or TV drama you have seen recently? if so, what?
8. Why do you think that film directors consider cinema to be the best place to view their films?
Resposes:

1)
weeks?
1 - monthly - 4
2 - every other month - 2

2)
Vue - 5 - Due to price and convenience.
Odeon -
Cinema City -
Hollywood Cinema -

3)
Adverts -
Adverts/Friends - 5
Friends -
Reviews -

4)
Adventureland
The Expendables
Toy Story 3D
Devil
Inception
Shrek

5)
Comedy - 1
Sci Fi - 1
Romance - 1
RomCom - 2

6)
Cinema - 4
Home (DVD) - 1

7)
This is England 86 - 1
An idiot abroad - 1
Downton abbey - 2

8)
Their own profit - 1
The experience - 1
Both - 3

These are my results so far, i am still waiting for replys.  However, this clearly shows some trends of teenage Cinema goers.

Local Cinema research

The films showing at the Odeon on thursday 16/09/2010 were:

1) Dinner for Schmucks, rated 12A, UK
2) Going the distance, rated 15, USA
3) Grown Ups, rated 12A, USA
4) Marmaduke, rated U, USA
5) Resident Evil 3D, rated 15, USA
6) Scott Pilgrim Vs the world, rated 12A, USA
7) Tamara Drew, rated 15, UK
8) The Expendables, rated 15, USA
9) The Last Exorcism, rated 15, USA
10) The Switch, rated 12A, USA
11) Toy Story 3 (and 3D), rated U, USA

Two of the eleven films showing are American.  This makes 81.81% of the films showing at Odeon American. 18.29% of the films are British.  None of these films are foreign language.  From this I can conclude that the Multiplex cinemas are aiming at a very specific teenage, mostly male demographic with films produced with little effort and for a quick profit.

Cinema City is an independent cinema; these are the films showing on Wednesday 06/10/2010:

1) The Town, rated 15, USA
2) Made in Dagenham, rated 15, UK
3) Go fish, rated 18, USA
4) Eat Pray Love, rated PG, USA

Here, 75% of the films are still American.  However, a much wider demographic is attracted (age ratings) making for a more widespread interest of different ages and interests.  25% of the films were British, but as there are only four films showing it is hard to tell a huge difference.

It is clear that the British public do not consume a rich and diverse mix of film; I believe we are all too used to the formulaic styles of American Hollywood style films. 

None of the films I have listed are directed by a female director

Wednesday, 6 October 2010

Film Noir and 'The Third Man'

Film Noir and ‘The Third Man’ (1949)

How does the third man use film noir conventions?

Film Noir

Film Noir is a type of film/genre of thriller that came from post second world war.  This was a time of great depression and socioeconomic collapse.  These were originally American gangster films (about the 1940’s).  Film Noir tends to have a mood of bleakness, fear and paranoia.  The characters within film noir generally encounter a degree of moral conflict creating a difficult situation.  Flashback and mystery are often involved and a narrator tells the tale as a twisting plot unravels.  Femme Fatale is used in this type of film.  This usually links directly to the moral conflict often present.  Film noir derives from German expressionist paintings and artwork.  The contrasts for example show this.  Conventions of film noir include heroes and corrupt characters, often villains.  Moral ambiguity is often present and so is the concept of femme fatale.

Femme Fatale is where a significant character (a woman) is ambiguous in that they are deceptive because they use their sexuality and innocent appearance to exploit what they want within a situation.  They are generally good looking and confusing to the viewer of the film. 

Extreme lighting effects are used to exaggerate extreme moods.  This lighting creates great contrasts.  Chiaroscuro lighting is a main feature of film noir where light appears to be coming only from one source that is often not natural.  The films in the film noir genre are black and white; this makes the Chiaroscuro lighting even more obvious and crucial to the genre. 

Codes and conventions of a thriller

Conventions of thrillers generally have a suspicious and unusual beginning creating something that is to be discovered throughout the rest of the film.  Thrillers often use flashback to confuse the viewer making for a more interesting film.  Spiral stair cases are also stereotypically found in thrillers, these can be seen as symbolic of aspects within the film because of their distance and hidden floors.  The Third Man uses most of these conventions within film noir.

The Third Man

The Third Man is a Film Noir mystery Thriller directed by Carol Reed.  The Third Man uses Film noir conventions excessively.  For example it begins with a lone man in an unfamiliar place that he does not know.  Also, the animalistic appearance given to Harry, showing him as if vermin within the city and the sewers below.  This creates an ideal level of corruption to create a complicated plot for the film.

Chiaroscuro lighting is used throughout the film.  For example when Harry escapes and disappears down the sewers.  The lighting hints to the viewer that he has gone through what is discretely a sewer entrance but it is not easy to make out.  The lighting adds a hint of suspicion to the entrance and the reflection of light off the cobbles creates scattered light giving definition to what otherwise would be a bleak shot.
The film is set in Vienna.  There are many shots of empty alleyways with only the main character present.  Also, the sewers of Vienna symbolise the state of the city and the socioeconomic climate.  The rain slicked stone cobbled alleyways in the film and the gloomy dank, dark and disorientating sewers are all classic conventions of the film noir genre. 

Anna is a significant character in the film as she feels for Harry even though he is clearly evil.  There is no perfect femme fatale in The Third Man; however Anna possesses some of the qualities.  She is independent and attractive.  She is morally ambiguous in that she loves a man who is evil and being chased by the police and what seems to be everyone.  Anna uses her innocence as a victim to try and get what she wanted from the situation.
Despite the atmosphere killing music The Third Man uses unusual camera angles to show obscurity of situations; Or to show the drunken state of Holly Martin.  These angles give expression and make the viewer feel physically part of the situation and therefore making the film brilliant from a media perspective.  The atmosphere gained from these shots presents for an uneasy atmosphere, perfect for film noir.

The film ‘M’ uses a child character to represent innocence in the film, The Third Man also uses this when the child rolls his ball accidentally in amongst an argument about the suspicions that Holly Martin has of the supposed death of Harry Lime.  This creates juxtaposition between the innocence of the child and the sinister situation making both of these sides seem more extreme.

I used mainly…

Thursday, 30 September 2010

‘Identity’ opening scene analysis

‘Identity’ opening scene analysis
The film opens on a black screen as you hear a recorded voice of Malcolm Rivers.  This cuts to close up shots of what obviously is evidence for a multiple murder case.  This has shots that cut quickly from one to another, all of close ups of the psychiatrist, Dr Malick.  The audience are not aware of the names of the characters at this point making both the recorded voice and the psychiatrist a mystery. This creates ambiguity which is typical of the thriller genre.  The close up shots of Malick also prevents us from seeing his full figure adding to the ambiguity.

The sounds in the opening scene are of mainly dialogue of the recorded voice and the un-nerving sound of a storm raging outside, however there is quiet background music which adds to the sinister tone of who we assume is the murders voice playing on the tape machine.  This adds to the already confusing situation and enhances the atmosphere.  The recorded voice sounds almost childish which juxtaposes with the murderous image the evidence portrays as well as the repetitive and angry tone in the recorded voice.

The Mise-en-scene in this scene contains of just piles of evidence, notes and tapes surrounding Malick on his desk.  None of these things are shown in shot for long before cutting to another shot.  This obscures the viewer’s knowledge of the situation creating the sense of unknown.  Some of the Mise-en-scene is only shown when flashes of lightning light up the room Malick is in building tension within the scenario.  The colours in the scene are limited to light, and dark.  These colours contrast and this, in my opinion symbolises good and evil.  There is a strong Key light from the evidence its self which is the only light in the room.  This light’s Malicks face slightly suggesting that there is much more to be discovered and brought ‘into the light’.

Saturday, 25 September 2010

Public enemies opening analysis

Public Enemies (2009) Opening scene film analysis
The film opens with a blank screen.  The date of what is to happen in the film is shown, then a brief explanation of the date and situation of some of the main characters in text.  The font is plain but in almost a military style making a very serious opening.  There is also very little dialogue in the opening scene and this means any explanations of situations have to be figured out by the viewer.  This makes them think and be curious of what might happen next.

The sound of marching footsteps is heard before the camera cuts to show a line of prisoners marching in the typical striped uniform.  The camera shows both long shots and close ups of the prisoners.  One is shown lying dead on the floor by a guard; this shot its self possesses a tense atmosphere.
The camera cuts directly to a close up shot of a car pulling up outside the prison.  A man appears to be taking a prisoner into the prison.  The camera cuts back to the prisoners, now being inside the prison, sewing.  Music creates tension as the camera shows the prisoners discretely pass round guns to each other that they have taken from what was thought by the guards to be just thread for sewing.  The camera focuses on the box with the guns in it, at first this confuses the viewer but all becomes clear when it is opened.
This opening is bound to directly interest and excite the viewer from the very start.  
This Film relates more to the sub-genre of an Action Thriller than a stereotypical thriller film.  Because of my target demographic that I am targeting for my thriller, If my film were to have similarities to this in terms of filming/action style it would be more popular within my targeted demographic.
The Prestige analysis, Christopher Nolan, 2006


Camera frame, movement and angle
The film opens with a shot panning across something that to the audience seems completely random. This creates a curious atmosphere. Next the shot cuts to black before a close up of birds in a cage and a character explaining a magic trick. Film cuts between this trick with a bird and another trip with a human. A similar trick on a different scale.

Sound
A voice is heard, of a magician explaining a scenario. This is shown in parallel with an equivalent/similar act of a different scale. Tense music is apparent in the background. The electrical flashes and the tense music suggest almost certainly that something is to go wrong. Voices are not kept separate to faces (unknown). Therefore the film is relying on the confusion created by the immediate situation.

Lighting
A dark stage adds to the uncertainty of the act shown simultaneously with the trick with the bird. This shows that one trick has a sinister side, and the other does not, adding suspense.

Editing
The camera cuts to black after the first shot. And then directly cuts between the two tricks.

Representation
The film is set in the Victorian times when magic was of great importance because it bought wealth to those who mastered it. Innocence of a child is juxtaposed by the idea of a more sinister concept of a certain magic trick.

Mise-en-scene
The mise-en-scene is of foggy woodland with top hats strewn across the ground. Confusing to the viewer. Next, cutting to black and then the simultaneous magic tricks. One trick on a dark stage and enormous electrical equipment which in those days would be out of this world. Below stage a sinister scene of what appears as the death of the magician. However it is all unclear. The scene fades out.

Narrative structure
The narrative structure is of a man who is explaining the composition of a magic trick and its difficulties.

Me, myself and I

Year 12 Media Blog

Sam Stronge

GCSE Results:
Biology – B
Chemistry – A
Physics – A
Geography – B
Media Studies – B
Music - B
English Literature – B
English Language – C
Mathematics – C

Hobbies

I enjoy Kayaking at Norwich Canoe Club, Rugby at Wymondham Rugby Club and Cycling with VC Norwich.  I play the Guitar and I have played it since middle school now.

Media interests

I take greatest interest in the music industry and promotion.  I also have interest for new technology.

Music industry
My favourite genre of music is probably Metal but I enjoy a diverse mix.  Although I play Guitar, I am not currently in a band.  I access most of my music over the internet or simply from buying CD’s in shops.  I believe that illegal downloading of music does not destroy the industry any more than it advertises and promotes the music that’s downloaded and heard.  I believe that some people are heavily influenced by music and styles portrayed by the idols associated with that style of music.

Print media
I am not very used to print media as I only occasionally buy the Kerrang magazine and I get monthly issues from the RSC and the BCU. 

Video games
My favourite video game is probably Halo Reach because of its imaginative styles of play and unique ‘Forge’. I believe the ‘shooter’ style of the game may impact negatively on the attitudes of the player but I do not believe it could have a significant affect.


New technologies
Technologies have become an essential tool in day to day life we barely notice it.  For example, I use BBC news on the internet opposed to buying a newspaper.  Technology has enhanced our lifestyles; we can now watch films by streaming them over the internet.

Television

My favourite channels are Dave and Comedy central, simply because they have programmes that are easy to watch and enjoyable. And I don’t mind repeats.   My Favourite TV genre has to be Sitcom because they are entertaining and I like a good laugh.  I consider Faulty Towers memorable because the humour in it is completely ‘off the wall’ although when it was first shown it wasn’t an instant hit.  It hasn’t dated in the same way that most Sitcoms do and it is still popular today.  In addition, because only a small number of episodes were made everybody knows them off by heart.  Programmes can also be memorable because they are so shockingly bad.  Takeshi’s Castle is an example of this because of the sheer stupidity of the concept on which it is based.

Feature Film

My favourite genre of film has to be either comedy or comedy horror.  This is because I do not enjoy horror films for the same reason that they appeal to others, I do not find the concept enjoyable however a similar aspect of violence can be made humours hence one of my favourite genres being comedy horror. 

I prefer to watch films for the first time on the big screen at the Cinema, if I like the film, I would prefer to buy the film on DVD making it easier to watch and chat about with friends.  My favourite Cinema would probably be Vue because of its convenient location in the mall in the city, however Odeon is more comfortable.  My only issue with Odeon is that I have been not been allowed in to 15 rated films (me being 6ft 1 in height).  I prefer to watch a film with one other person to watch it with and discuss. 

I have produced media for various reasons in the past, I made a music video for my GCSE in Media Studies and I have also played with cloning, green screens and various effects.  I have a YouTube account that I put some of my videos on.

Why Media Studies?

I have chosen Media studies because I enjoy it!  Well most of it, some parts intrigue me more than others but overall I think its great :D x